Donnerstag, 2. Juli 2009

Chinese yixing teapot in China--Taking a leaf out of the tea expert's book;

THE joy of tea: this week Brian Writer, whitehaired, benign, 71 years old, introduced me to refinements and delec-tations that I never knew existed.
In the little tasting room of his company, Reginald Ames, tea merchants and brokers on an industrial estate in south-east London, was a line of 18 bowls of tea ranging in colour from pellucid white through yellow and green to nearblackness; teas from Darjeeling and Assam, Sri Lanka, China, Africa and Japan, unblended, meticulously prepared with boiled fresh water allowed to cool to ideal tasting temperature.
And behind them, on little cardboard dishes, were tealeaves of similar hitherto-unimagined variety and beauty. I had entered a world few in this teabaggy age are ever permitted to see.
"This is spring crop Ying Zhen, " says Mr Writer as we taste a white China tea, "also called Silver Needle. It is picked before the sun comes up and dried in the sun.
That's why it remains white. It is expensive but you can brew a pot of tea five times and still get the same flavour, though it does become lighter.
"Green tea is green because it is steamed then dried. It must be made with water that has boiled but is no longer boiling. Black tea is black because it is allowed to oxidise." The simpleton in me supposed that the dark teas would be the strong ones. "Black teas are heavier on the palate than white or green teas, " says Mr Writer, "so you are not wrong. But some do taste quite light." He has had decades of experience dealing with China and enjoys it - the Communists ran the tea industry very well and with the Chinese a deal is always a deal.
"The Chinese have been growing tea for 4,000 years, " he says. "They have a huge amount of skill and of course there was never any shortage of labour. It is all handpicked."
LAPSANG Souchong, says Mr Writer, was originally discovered in Fujien province where the soil has high tar content. It has a smoky taste to it.
"The Gunpowder tea we drink in England is a tightly rolled leaf that opens out to its full size and gives a strong green liquor, " he adds.
"Notice the difference between the earlier and later season teas, " he says as we taste Darjeelings. "The early season pick had an astringent, bright liquor; picked later it has more flavour and fullness; by autumn it has a ripe flavour - rather like the difference between a bright, young, early-season peach and one picked in autumn." I am looking at leaves in a world that has become unused to tealeaves. The tea in teabags, wherever they are from, is processed differently. Rather than being rolled flat, the tea is put through machines that cuts, tears and curls it.
"The tea in teabags is not sweepings as some people like to say but the best flavour is always leaf tea brewed in a teapot. Teabags give you the colour but the flavour is never so good." I followed Mr Writer along the line - him 50 years in the trade, a doyen of tasting and choosing tea.
Soon I was lost. Or perhaps like a whisky drinker befuddled by Bell's and Teacher's blends and now confronted by the finest single malts, the virgin at a tea tasting was soon overcome by the subtlety and unexpectedness of it all.
Leaf tea of any type is a relative rarity; the teapot and hot water jug, not to mention tea cosies, close to museum pieces - 96 per cent of what we drink now is from teabags.
Half a century ago any selfrespecting grocer would have chests of different blends of tea which they would weigh out into packets for their discerning customers, while Brooke Bond, Typhoo and Lyons supplied the bulk of the market.
Grocers would make their own blends, often after having taken a course in teamanship.
Commercial television put an end to most of that and we became the nation where "we all agree, Tetley make tea-bags, make tea".
For a tidy people in love with saving labour and more able to spend money, it was an offer too good to refuse. (Un-til the mid-19th century, by contrast, tea had been an expensive commodity - members of the working classes bought secondhand tealeaves from the better-off and let it steep longer to compensate for the fact that it had already been used once. ) MR WRITER must be one of tea's ultimate connoisseurs; over the decades he has travelled the world, checking, tasting, finding varieties that will bring pleasure to the discerning.
He only deals in the good stuff.
Most is not hideously expensive but his costliest China White sells for GBP 50 a kilo wholesale. Daunting!
One might expect him to justify this sum by emphasising its rarity, beauty, desirability - all of which it has. Fine teas, like fine art or fine wine, offer a higher pleasure.
What Mr Writer says about his China White is this: "Remember you get 200 cups out of a kilo - far cheaper than Coca-Cola. And you can rebrew and rebrew it." That is fair enough - we are talking about tea to enjoy and to savour, not tea to bolt down.
"What is the secret of a good cup of tea?" I ask, expecting an answer of demanding complexity: "Fresh boiled water, " he replies, meaning that the worst thing you can do is reboil the water left in your kettle.
"You almost always get a good cup of tea in a café, " he says (I think he might even include a caff).
You might think any chance of selling high-grade tea was long ago submerged by our high-priced frothy coffee fad. But no. Our new foodie inclinations means that more people are paying a little extra or looking a little further.
Taylors of Harrogate's famous brand is called Yorkshire Tea - a blend of leaves from East Africa, Assam and Sri Lanka. You find it in mainstream supermarkets. It costs a little more than your bog standard because it's a whole lot better.
No sweepings in these teabags!
Among Taylors' top men is Keith Writer, 35-year-old son of Brian - born with a silver teaspoon in his mouth. Keith has been slurping tea since he was three (though in a tea-taster's, not a three-year-old's way). Outside his office window in Harrogate, he can see Yorkshire tea of a different sort - small bushes of the China Jat variety, planted in a sheltered quadrangle, chosen for their hardiness to survive the Yorkshire winter (or try to). "It's just a bit of fun, " says Keith, though it could one day make a Japanese-style tea garden.
In London's grandest hotels, afternoon tea has become such a fashionable event that often a table is not to be had. And apparently people presented with a choice are going for ever more specialist brews. More Souchong than Typhoo.
Ah, the joy of tea! - I have had a whiff of it. I shall never look at a teabag the same way again.
yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots.

Chinese yixing teapot in China--Oriental inspiration

Traditionalist, food innovator and celebrity chef Kylie Kwong has lots on her plate, and it's all delicious, writes Jo-anna Tovia.
Kylie Kwong's love of food blossomed in childhood and, now that she runs her own restaurant and is a celebrated chef, she counts herself lucky she's been able to turn her hobby into her vocation. "I love that I make my livelihood out of what I love doing," Kylie says. Cooking was part of everyday life throughout her childhood and Kylie remembers her mother cooking beautiful food and the house always being full of people.
"Mum taught my two brothers and me how to cook from the age of five," she says. "I have good memories associ-ated with food."
Part of her obsession with food came simply from being Chinese: "That's all we think about - food and family."
Kylie didn't set out to be a chef. Until the age of 26, she was a graphic designer but found it wasn't for her. Instead, she got a job at Neil Perry's Rockpool restaurant. After only two years on the job, Neil appointed her to the position of head chef at his new restaurant Wokpool, which she ran for four years.
For the past seven years she has run her own award-winning restaurant, Billy Kwong, and has produced a series of cooking shows and books. Her latest book, My China: A Feast For All The Senses, is a personal account of her travels through China and the food she discovered there.
Kylie lives in an eastern suburbs Art Deco apartment, which she describes as cluttered and eclectic. It's a space she uses to display the treasures she collects from her travels as well as her second greatest passion after cooking - art. "I'm not a minimalist," she says.
MY FAVOURITE THINGS
BARK PAINTING I got this on a trip to Arnhem Land with some friends last year. I love indigenous art and this reminds me of that trip. It hangs in my kitchen.
TEAPOT This is a beautiful Limoge teapot, which makes tea drinking an absolute pleasure. I drink organic lemon tea every morning.
MUSICAL SCORE Elena Kats-Chernin is a great friend and she's also one of Australia's best composers - she's amazing. This piece of music is called Kwong Song and it's an original piece of music no one else in the world has, so I think it's pretty special. It's thoughtful and provocative - she's captured my mood very well.
TRAY I love Japanese aesthetics. It's very Zen. I love trays; there's something ritualistic and ceremonial about them.
ATLAS When I'm looking at the atlas it means I've got a trip coming up, which is great because I love to travel. The highlight of my latest trip was going back to my village in Southern China. I was the first Kwong to go back in 90 years.
PLATTER This Susie Cooper platter was handmade circa 1932 and is part of a set given to me by a friend. It's so distinctly Australian. I love the colours. It comes out on special occasions.
SCULPTURE My niece Indy made this out of one piece of wire when she was nine. It's brilliant. I bought it from her for $29. It was the first artwork she ever sold.
PLATES I bought these in the Blue Mountains at an antique shop. I like the mishmash of patterns and their irregu-lar shapes. I use these to serve cake at the end of dinner.
yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots.

Montag, 22. Juni 2009

Chinese yixing teapot in China--WHO'S IN

Museum of fusion art You've heard of fusion cooking. Now veteran artist Chen Fucheng pushes the bounds of "fu-sion art" - combining calligraphy, seal cutting and purple clay pottery-making in his own signature style. The Chen Fucheng Art Museum, which opened this week in Beijing's Chaoyang district, displays over 500 selected teapots, as well as unique works of brick carving and calligraphy.
Born in 1943, Chen was trained in traditional Chinese arts and culture. From the 1960s until the 1980s, he earned a reputation as a distinguished scholar on the topic of ancient Chinese characters, while working for the Liaoning Provin-cial Museum. Today Chen's work draws inspiration from ancient art in Qin and Han dynasties, yet pushes tradition fur-ther with the inclusion of poetic lines, couplets and iconic images engraved on the teapots.
Art for charity Sometimes, art isn't just for art's sake.
In October, the China Contemporary Art International Exhibition Tour will kick off in Shanghai to raise money to combat childhood leukemia. A portion of the proceeds from art sales will be donated to the China Charity Federation's foundation for young Chinese suffering from leukemia.
Since its inception in March, the special foundation has accumulated about 8 million yuan ($1.14 million), says Yu Jianhua, an official with the charity. Patients are given up to 100,000 yuan to help cover the cost of medical treatments. At present, Chinahas about 2 million children aged between 2 and 15 suffering from the deadly disease. Some 40 re-nowned Chinese artists, including He Duoling, Mao Yan, Gu Wenda, Zhu Cheng, Shang Yang, and Qiu Zhijie, have agreed to participate in the charity drive. After stops in Shanghai, Tokyo and other cities in Asia, the exhibition will arrive in Hong Kong, where an exhibition and then a charity auction will be held in late November, in collaboration with Est-Quset Auction Co. Ltd from Japan.
China's waterworks A 20-part documentary called Water and China is running on science and technology channel CCTV-10. Each episode details historical stories about water control or water resource protection. Citing examples like the ancient water conservation project Dujiangyan (pictured) in Chengdu, Sichuan province, the production shows the relationship between water and the development of Chinese civilization. It took one year for the crew of CCTV-10's Green Space to shoot the documentary, traveling from the western ends of the Yangtze and Yellow rivers on the Qing-hai-Tibet Plateau to eastern China. Blockbusters coming Moviegoers can look forward to a bunch of domestic block-busters hitting theaters in the coming months. Chen Kaige's biopic of Peking Opera master Mei Lanfang (pictured), young director Lu Chuan's Nanjing! Nanjing!, which is a serious work on the 1937 massacre, and popular director Ning Hao's work on racing cars, are some of the highlights. Chinese blockbusters are doing well at the box office, according to Zhang Hongsen, vice president of the State Film Bureau, China 's top regulator of the industry.
John Woo's Red Cliff has been a standout, earning more than 100 million yuan in the first four days since its debut this month.
By the end of June, total box office receipts were 1.6 billion yuan ($228 million), a 45 percent growth over the same period last year. About 900 million yuan were from Chinese films, an increase of 50 percent over the same period in 2007, Zhang said.
Marathon of marvels Discovery's special programs on China to coincide with the Beijing Olympics, will be shown on 27 mainland television networks on Sunday. China 08.08.08, named after the date of the opening ceremony, consists of nine documentaries with three themes: Man Made Marvels, depicts the building of the National Stadium, Beijing Airport's T3 terminal and the National Center of Performing Arts. Ultimate Olympics tells how the whole country has been preparing for the Games. Seven Wonders of China presents great historical architectures.
The programs will be aired on Beijing Television Channel 8 at 9:05 pm from Monday to Friday and 5:40 pm on weekends; on Shanghai Documentary Channel at 9 pm every night; and every day on Guangzhou TVS-1 at 4:50 pm.
yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots.

FITTING, TO A TEA;

Tea has long been under-appreciated in America.
The drink does have its devotees but we have never enjoyed a sense of ceremony surrounding tea as the British and the Japanese have for hundreds of years.
But it's time to reconsider tea. It is a warming, delicious drink and surprisingly good for you, too. There is as much vitamin C in two cups of green tea as there is in a glass of orange juice, and it contains less than half the caffeine of coffee.
In the morning, it is energizing; at night, a cup of herbal tea is soothing and helps us sleep. And at teatime, it's a treat -- particularly when accompanied by sweet cakes or savory little sandwiches.
TEA TRADITIONS: As legend has it, nearly 5,000 years ago a Chinese emperor accidentally brewed the first cup of tea. He always boiled water before drinking it and, one day, a few branches from the fire blew into the pot.
The result, he declared, gave one "vigor of body, contentment of mind, and determination of purpose."
In the years since, Camellia sinensis, the tea plant, has been grown and harvested for tea. There are four basic va-rieties of tea and this one plant produces them all.
The most common variety is black tea; the leaves are oxidized, giving them a dark color and intense flavor. For green teas, leaves are just withered and dried -- the tea is pale with a grassy taste. Oolong teas are partially oxidized, and very rare white teas are steamed and dried.
Herbal teas aren't actually teas at all. They are tisanes, or infusions of herbs, spices, flowers or other flavorings.
A PERFECT POTOF TEA: Whole, loose tea leaves are the preference of tea lovers. To keep the leaves fresh, store them in an airtight container in a cool, dry spot.
Start the brewing process by bringing cold water to a boil. Meanwhile, fill your teapot with hot tap water to preheat it for a few minutes. Empty the potand add one teaspoon of loose tea for each cup you're making. When the water reaches a rolling boil, pour it into the teapot; the leaves will unfurl, releasing their flavor and aroma.
Let the tea steep for five minutes (green and Oolong teas are ready after only three minutes) and pour through a strainer. Some teapots come with a strainer attached to their spout, or you can hold a small strainer over a cup.
Don't judge a tea by its color; different varieties achieve different shades. Never oversteep tea -- it will become bit-ter.
A TEA PARTY: Wonderfully-civilized, a tea party is an enjoyable gathering. It is an appropriate way to celebrate almost any event, such as a birthday or anniversary.
Tea-party weddings are increasingly popular. I can't imagine a better theme than a tea party for a baby or bridal shower.
A tea party is easy to plan and prepare; it can also be inexpensive and still suitably festive.
Flea markets and antiques stores are perfect places to shop for teapots, pretty cups and saucers, cream and sugar sets, and tea strainers. Look for cake stands and silver trays for displaying sweets and sandwiches on the buffet.
These accessories do most of the decorating for you -- just set the table with simple linens and use small arrange-ments of fresh flowers or topiaries as centerpieces.
Classic tea sandwiches are delicate and almost bite-sized. Start with thin slices of bread with the crusts cut off. Try different kinds of bread, such as white, wheat, pumpernickel and raisin. Cut the bread into squares, triangles or rounds.
Classic tea sandwich fillings include cucumber and cream cheese, butter and radish slices, and smoked salmon and dill.
But don't hesitate to experiment. Cream cheese can be flavored with fresh herbs or topped with caviar; mini-corn muffins can be split and filled with ham and apricot preserves. The variations are endless -- try making your favorite sandwich in miniature.
You have just as many choices for sweets. Serve muffins, scones, crumpets and loaves of nut breads with butter, clotted cream, preserves, honey and lemon curd. Make petit-fours, a layer cake, tartlets, cookies, shortbread or made-laines.
And, of course, also serve pots of perfectly brewed tea.
yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots.

Samstag, 13. Juni 2009

Museum Shows Asian Countries' Tea Culture

Tea has been long loved for its taste and numerous benefits for the body and mind and has virtually become a part of everyday life, especially in Asian countries. A recently opened tea museum in Seoul tries to explore how this ancient beverage has been enjoyed by showing a variety of items related to tea in four Asian countries.
Located in one of Seoul's most famous cultural shopping areas, Insa-dong, the Tea Museum displays hundreds of tea utensils and other items related to drinking and making tea, such as pots, cups and caddies collected from Korea, China, Japan and Tibet.
''When you make tea, the kind of teapot or cup you choose is as important as the tea itself,'' said Shin Young-su, director of the Tea Museum, whose collection all the items displayed in the museum are from. ''I've collected old tea-cups, teapots and other items while I traveled in Asian countries to enjoy the full and deep taste of tea.''Although the word museum may give the impression the place might be boring, the Tea Museum is more like a comfortable teahouse than an ordinary museum. The exhibition is held in a renovated traditional Korean house, ''hanok,'' and visitors can en-joy some tea for free.
''Since guests can drink a complimentary cup of tea in the museum's courtyard after they look around the museum, it could be great place to visit again to relax,'' said Shin.
The exhibition consists of four sections, where each country's various tea utensils and other tools related to tea making are displayed. They include pottery, metal kettles, wooden tea carriers and colorful vessels, which vary in style based on where and when they came from. All the pieces displayed in the exhibition total up to 400.
Ha Tae-jun, one of the curators of the museum, said, ''Each nation has developed its own unique tea culture, which depends basically on the country's weather, religion and geographical factors even though China first introduced tea culture to other Asian countries.''Since making and drinking tea involve a myriad of steps distinct to each country, visi-tors can learn about the cultural uniqueness of other nations through the items displayed, Ha added.
In the Korean section, such items as traditional teapots and tea bowls are displayed, some of which date back to the New Stone Age. Most items look simple but practical. Placards on the wall in the section explain how and when Chi-nese tea was imported and what benefits each kind of tea has.
Right beside the Korean section is the Chinese section, where visitors can see China's long history of tea. Evidence of their long and rich tea culture, all the items in the section have various colors and shapes.
Japan's tea culture is well summarized on one of the informational signs in an old saying: ''Serve tea to guests with your whole heart as if it was the last time you will meet them.'' Japanese tea culture shows how important Japanese peo-ple have thought about tea customs and traditions.
In the section on Tibetan tea, very unique tea items are on display for the first time in Korea. Since the nomadic people live in uplands, largely subsisting on meat without very little vegetables, tea is the main source for getting vita-mins. So, the tea vessels have developed into various shapes made from wood for people to carry easily.
For those who want to learn more about the exhibited items, curators are on hand to explain for visitors to better understand each nation's tea culture.
yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots.

OFFBEAT MUSEUMS THESE SMALL COLLECTIONS AREN'T JUST OFF-THE-BEATEN PATH

It's almost worth the high cost of travelling just to tell our friends about the obscure museums we have visited. When we returned from a recent trip to England and Wales, one friend looked at us as though we'd really gone bonkers. "A pencil museum? You've got to be kidding, right?"
But if we hadn't meandered to Keswick while we were exploring the Lake District, we would have missed the big-gest pencil in the world.
The truth is my husband, Stephen, a poet, and I are bizarre-fact junkies. Many odd topics are not compelling enough to take a class in or read a whole book about. Yet the most unusual subjects -- from rare minerals to teapots -- suddenly become fascinating when you see, up close, the weird artifacts connected to them.
On our last trip to the United Kingdom, we sought out the following lesser-known and specialty museums:
BETHNAL GREEN MUSEUM OF CHILDHOOD: By peeking at toys and clothes from children of other times, you can learn a lot about what their experiences must have been like. The lower gallery of this huge museum contains case after case of dolls. The oldest doll we saw is from the 17th century; the smallest are from early 1900s Germany.
Other cases feature doll carriages, toy soldiers, games and antique puzzles. Puppets range from elaborate Chinese ones with fur costumes to shadow puppets to Punch & Judy.
Hands-on displays include a peep show you push a button to watch and a toy train that moves on its tracks for 20 pence. Other cases contain model vehicles, miniature domestic equipment and a cute game of bunny skittles from the late 19th century. One life-sized scene is of kids playing marbles, kites, hoops and tops.
On the top floor, the history of childhood and of learning toys is displayed in elaborate detail. We noticed a Brownie uniform from 1962, shoes from the 17th to 19th centuries, as well as knickers and nappies from the 17th to 20th centuries. We also picked up a sad fact: "Up to 70% of infants born in 18th-century London died before age two."
(Cambridge Heath Rd., London; 0181-980-2415; closed Fridays and some holidays. Free admission.)
CLOCK MUSEUM: Maintained by The Worshipful Company of Clockmakers, this compact museum is stuffed with more than 700 examples of timekeeping equipment covering five centuries of horology. We saw striking watches from Germany and France from 1600-1660, "toy" watches from the 17th to 19th centuries that had been found in a river, marine chronometers, watch keys and fobs, a skull watch and a rollingball clock from London, circa 1920. I liked the tiny dime-sized watch from the 1840s. Also on display are lantern or house clocks from 1600s, tavern clocks, long case clocks and a gas-operated clock, circa 1835. It uses sulphuric acid to generate hydrogen gas to create pressure to rewind the brass weight.
(Located next to the Guildhall in London. Open Monday to Friday. Free admission.)
TEAPOT WORLD: In a crowded room above a teapotshop, there are glassed cases containing 300 years of tea-pothistory. We saw a huge teapot, the size of a five-gallon water bottle, and one shaped like a bunny, circa 1950. Other unusual teapots are the black ones with Christmas greetings inscribed from the last half of the 19th century, bam-boo-shaped teapots circa 1880 and miniature sets made by child labor in the 1820s. Several teapots from the 1930s sported abstract designs. Others are shaped like Reagan, Donald Duck, a wigwam and a cauliflower. There's even a "War against Hitlerism" teapots (inscribed "That right shall prevail") that was distributed to patriots who donated their aluminum pots and pans for the war effort.
(Castle St., Conwy, Wales; 01492-593429; open Easter to October daily. Admission 1.50 pounds, $ 3.50 Cdn.)
CUMBERLAND PENCIL MUSEUM: In the Lake District, next to a pencil factory, the Pencil Museum contains displays that educate and entertain anyone who has ever used a pencil. From these and the informative video about the history of pencil making, we learned some intriguing tidbits.
Graphite was discovered near here by shepherds during the reign of Elizabeth I. They didn't know what to do with it at first but found it was great for marking sheep. Known as "Wadd" locally, the stuff got to be as precious as gold. Later the Italians figured out how to put it into wooden holders, and a cottage industry of pencil-making developed in the town of Keswick.
The graphite is used up now and materials are imported from around the world to make pencils. Among the dis-plays are a replica of a mine, some of the surprisingly many machines used in the manufacture of pencils, examples of early pencils and the largest pencil in the world, great for standing next to for that one-of-a-kind souvenir photo.
(Southey Works, Keswick, Cumbria; 017687-73626; open daily year-round except Dec. 25&26 and Jan. 1. It has a children's drawing corner. Small admission fee.)
STAINED GLASS MUSEUM: By the beginning of the 12th century, stained glass had become a sophisticated art form in England. In this vibrantly colorful museum, visitors learn how stained glass is made: colored paint is mixed on a thick glass tile; the painted glass is laid on trays of whiting and loaded into a kiln, where it is then fired to fuse the paint to the glass. Leading is finally bent and added.
Among the chronological displays, we saw samples of stained glass from the 1300s-1400s, followed by some rare roundels (small decorative discs) from the early 15th century, including Reynard the Fox, from Aesop's Fables, preach-ing to a congregation of geese. There are examples of Netherlandish roundels, copies of a Durer painting, finely painted on thin glass.
Other exhibits showed Swiss glass, secular painted glass and many examples from the Gothic revival period (1700s-1800s), most of which are typical church scenes. The early 20th-century pieces include such unexpected works as a Picasso-like penguin by Peter Sutton and glass with abstract, humorous and religious themes.
(Located in the North Triforium Gallery, Ely Cathedral, Ely; open daily Easter to October, weekends until Christ-mas. Small admission fee.)
GERMAN UNDERGROUND HOSPITAL MUSEUM: The Isle of Jersey, one of the Channel Islands located be-tween Britain and France, was invaded by the Germans in 1941 as a toehold on British soil. Jersey was occupied for five years. As part of Hitler's war effort, thousands of forced laborers were brought from all over conquered Europe to build an underground attack-proof artillery barracks, later turned into a hospital. More than a kilometre of chambers and tunnels had to be carved from solid rock under harsh conditions.
Now, this half-finished effort can be toured as a museum. Visitors see an engine room, dioramas of slave workers in dimly lit tunnels, an operating room, officers' mess and many other displays that describe, movingly, this horrendous period of history and the Jersey inhabitants' efforts to cope.
(Meadowbank, St. Lawrence, Jersey; open daily from mid-March until early-November, and from mid-November to mid-December on Thursday and Sunday afternoons.)

Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

Montag, 1. Juni 2009

A story on Chinese yixing teapot--Drinking in the story of tea part II

Notice, too, that Chinese teacups seldom have handles. There's a set of black-lacquer cups - with handles - near the bottom of the showcase. But, as Martin Chicoine, who's working in the pavilion on the day we visit, tells us, these are actually coffee cups. They date to the early 20th century, when coffee - because it was considered exotic - became a fashionable beverage in China.
From here, it's a short walk over a stone bridge and through the rose garden to the Japanese Pavilion to see an ex-hibit called Japanese Green Tea. Stop in at the Nomura Gallery to see a collection of Japanese teapots. These are exam-ples of yaki, the generic name for Japanese ceramics. The ones on display are made of clay from the Origawa River. Many have a reddish brown finish, with black and gold highlights.
In Toyota Hall, the main exhibit room, you'll learn that though tea originated in China, Buddhist monks are credited with bringing it to Japan from China in the 7th century during the Tang Dynasty. In the mid-1850s, Japan got into the tea business, exporting green tea around the world.
Contrary to popular belief, green and black tea come from the same plant. What differentiates the two is that green tea leaves are plucked and dried; black tea leaves are allowed to ferment. In fact, it's believed that black tea was in-vented hundreds of years ago, when shipments of green tea fermented en route to Europe.
Today, approximately half of the tea grown in Japan comes from the Shizuoka prefecture, 175 kilometers southwest of Tokyo.
Until the 1920s, the tea was plucked by hand. Today, it's harvested mechanically, except for the top leaves, which are still picked by hand.
In Japan, green-tea consumption dropped in the mid-1970s, after the introduction of imported soft drinks. Today, tea - especially green tea - is more popular than ever. That's because it's believed to have medicinal properties.
These include improving concentration, reducing fatigue, promoting digestion, helping prevent cardiovascular dis-ease and certain cancers, and even delaying the effects of aging.
Two display cases in the exhibit room are filled with Japanese products made with green tea. These include every-thing from cosmetics to mayonnaise and chocolates.
During the summer months, visitors were able to sample this magical elixir in the pavilion's cha-shitsu, or tearoom. As is customary in Japan, you'll need to remove your shoes before entering this room. Weekly tea tastings will resume here in May. Until then, pavilion guides Yves-Martin Boisclair and Francis Fortin - both of whom are in East Asian Studies at the Universite de Montreal - have some tips for tea lovers.
"In Japan, having a cup of tea is meant to be a once-in-a-lifetime encounter. That means the colour and taste of the tea, and the ambience, all have to be perfect," Boisclair explained.
Rather than pouring boiling water directly onto the tea leaves, Boisclair says he lets the water to cool to about 70 degrees Celsius in a terra-cotta bowl called a yusamashi.
If we were in Japan, this would be the time to nibble some yokan - Japanese sweets made from red beans, sugar, salt and gelatin.
"It's a Japanese custom to eat something sweet before drinking tea. This helps prepare the palate," Boisclair said.
The tea should steep for about a minute, before it's poured a little at a time into cups. This is done to ensure the fla-vour and colour are uniform.
The Japanese have even made an art of sipping tea. They use their right hands to hold the cup, their left hands act like saucers, and they lift the cups to their lips in a vertical motion.
In Japan, the more traditional tea ceremony can take up to four hours. The ceremony is based on four principles: harmony, respect, purity and tranquility.
In the ceremony, a bamboo ladle is filled with hot water, which is poured over powdered green tea and whisked with a bamboo whisk until it is frothy and a translucent jade green. The host sets the bowl before his first guest and bows.
"The guest is the most important person. Not the host, even though he makes the tea," Boisclair said.
At the tea ceremony, the first guest must swallow the contents of his cup in three sips, then make a slurping sound to indicate approval.
The tea ceremony ends with the host saying "gozaimashita" - a version of "thank you" that is more formal than the usual "domo arigato."
Boisclair and Fortin have one more thing to tell us as we leave the tearoom. "Don't forget your shoes!"
Tea Tales and Japanese Green Tea continue at the Chinese and Japanese pavilions of the Montreal Botanical Gar-den until Nov. 3. The Montreal Botanical Garden is located at 4101 Sherbrooke St. E. For more information, call (514) 872-1400.

yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots.

A story on Chinese yixing teapot--Drinking in the story of tea part I

In Alice's Adventures in Wonderland, the Mad Hatter tells Alice, "It's always tea-time." The same could be said for the Montreal Botanical Garden, where, until Nov. 3, you can learn all about tea.
Both the Chinese and Japanese pavilions are playing host to tea exhibits.
Since drinking tea originated in China, the Chinese Pavilion is the logical place to begin your visit. Here, at an ex-hibit called Tea Tales, you will learn that tea is the world's most popular drink. All tea - except the herbal variety - comes from the same plant: the Camellia sinensis. In the wild, these plants can grow up to 15 metres high, but tea pro-ducers prune them back once they reach a height of about 90 centimetres. That makes them the ideal height for picking - essential, since only the top five leaves of the plant are used to make the best tea.
The very top, or youngest, leaf is considered the most flavourful. Tea made from these leaves is called flowery or-ange pekoe. The word orange has nothing to do with the flavour of tea. Rather, the Dutch, who, in the early 17th cen-tury, were the first to bring tea to Europe, named the tea after the House of Orange, the ruling family of the Netherlands at the time. The word pekoe comes from the Cantonese pak-ho, a term referring to the light down found on the tea plant's youngest leaves.
In one of the central display cases is something that looks like a small bird's nest and something else resembling a brick made of densely packed twigs. This is compressed tea - a convenient way to package tea when it is transported over long distances. Using it is simple: just break off a chunk and add boiling water. Though you won't find compressed tea at major grocery stores, it is available in Chinatown.
Next to the compressed tea is a display of dried petals used to scent tea.
Check out the bright yellow osmanthus petals. If you look out the door facing the pagoda, you'll spot three large plants - these are osmanthus.
Ask the guide working at the kiosk in the Chinese Pavilion to let you sniff his collection of teas. You'll find the osmanthus smells like apricots. Don't miss the fragrant Dragon Pearl jasmine tea, tea leaves rolled into tiny balls, each no bigger than a caper.
There's also a display of Chinese teapots, tea caddies and teacups. Chinese teapots tend to be small, except for the industrial-size ones used in restaurants. Several of the teapots here have terra-cotta interiors. Tea connoisseurs know that terra-cotta absorbs the taste of tea; for this reason, they have a teapot for each variety of tea.
Caddies are used to store tea to protect tea leaves from light and humidity.

yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots.

Dienstag, 26. Mai 2009

100 Teapots, Large and Small, Exuberant and Spare Part II

Every few years a new style hit the market and since no copyright in designs existed until 1839, manufacturers all copied from each other. During the 1770's, ancient civilizations were the fashion. Although Greeks, Romans and Egyp-tians did not know tea, British factories produced pots shaped like Greek oil lamps and others decorated with a sphinx motif or a Roman goddess.
"They were always trying to stay on the cutting edge of design," said Kathleen Craughwell-Varda, the Historical Society's curator. "They tried to create shapes and decorations that would catch the eye."
Many do draw attention to themselves, like the 1835 Coalport teapot in shades of gray, white and lots of gold, sporting a dragon spout, or the earlier Staffordshire specimen shaped and decorated like a pineapple. Chinese motifs were among the most popular, and every decade produced its own representations of Oriental settings. Largest of the Chinese-inspired teapots in the exhibition -- and in the world, it is said -- was created for the Great Exhibition of 1851 and holds 13 1/2 gallons of liquid.
Dubbed "a spectacular example of mid-Victorian exhibitionism," by Ms. Craughwell-Varda, the piece sports bands of elaborate ornamentation, views of seashore and ships of many kinds, crowd scenes with people buying and selling; even a graceful temple on a mountain top, painted on the oversized spout, can be seen.
"It took two people to put it on the stand and when we did, we noticed that it is stained inside, so perhaps it did have tea in it. But did anyone ever pour from it? We don't know." How tea drinking crossed the ocean is evoked in the society's period rooms, which have been reinterpreted to enhance the theme of the exhibition. The ingredients for an afternoon tea -- breads, cakes, fruit and nuts, as well as the tea caddy and a kettle for hot water, are on display in the spacious kitchen, whereas the actual tea table is set up in the parlor, where the mistress of the house would make and serve tea.
The dining room is arranged as though a formal dinner were taking place in the early 1800's, with cups and saucers lined up on the sideboard ready for when the ladies retired for their tea while the gentlemen remained at the table for brandy and cigars.
Even the upstairs toy room has been rearranged for the occasion: multiple doll and teddy bear tea parties are under way throughout the space, with exquisite miniature tea sets on display.
Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

100 Teapots, Large and Small, Exuberant and Spare Part I

MAKING tea for most means dropping a little bag into a cup of boiling water, producing a lightly colored liquid to be drunk a few moments later.
It was not always so. "Traditions in Elegance: Two Centuries of British Tea Pots" on view through Aug. 25 at the Wilton Historical Society in Wilton, illustrates how very much things have changed since tea was introduced to the Western world in the 17th century.
On display is a remarkable collection of teapots large and small, exuberant and spare -- 100 pots drawn from more than 3,000 specimens belonging to the Twining Tea Pot Gallery at the Castle Museum in Norwich, England.
The traveling exhibition, organized by the Norfolk Museum, R. Twining and Company and the Morris Museum of Morristown, N.J., was designed to explore the custom of tea preparation and tea drinking in English life.
Lively panels feature reproductions of period lithographs, paintings and cartoons. Moreover, several period rooms in the Sloan-Raymond-Fitch House, headquarters of the Historical Society, have been arranged to illustrate the role of tea drinking in North America from Colonial days through the 19th century.
British ships began regular sailings to China in the 17th century and by 1658 a drink called tea could be purchased in London. A few decades later, when Thomas Twining founded the importing business that still exists in London today, the drink had become a national passion, a symbol of status and refinement.
Tea was then so expensive that fashionable women would keep it locked up in the caddy to prevent servants from stealing it. Boiling water would be prepared in the kitchen and then brought into the drawing room so the mistress could make the tea herself and pour it for her invited guests.
The teapot then became the most important object in the ceremony and British potters competed with each other and with Asian artisans to create beautiful and unusual specimens and to make them as strong as those produced in China.
Foremost among British manufacturers was the company founded by Josiah Wedgwood, who developed the first strong and durable earthenware of pale color during the 1760's, and named it creamware. Several examples of his tea-pots are on display.
Potters changed their traditional brown pots by imitating more precious materials, like agate or black basalt, stone or porcelain. Included in the show are teapots made of earthenware, jasperware, creamware, stoneware, agateware, porcelain and silver in a wide range of styles, glazes and decorations.
One visitor's list of favorites includes an agateware pot, circa 1750, with a marbleized finish in shades of blue, ocher and cream, the lid topped by a little lion, and a cream-colored stoneware pot with a wide rim, decorated with chains of leaves and flowers that were printed rather than painted by hand -- an important development that soon cut the cost of manufacturing.
Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

Dienstag, 19. Mai 2009

Story on Chinese yixing teapot --A Spot Of Teapots Part II

Dutch and Portuguese traders brought tea to Europe. Advertisements record its arrival in Britain about 1658. Not long afterward, Charles II's wife introduced tea at court, drinking from translucent Chinese porcelain.
Twining's connection with tea dates from 1706, when Thomas Twining bought a London coffee shop and sought to distinguish his genteel establishment from rougher ones by selling the finest tea. The company maintains a store in the same location off the Strand.
Distance made tea rare and royal patronage made it fashionable. Opposition from the brewing industry -- when ale was a common breakfast drink -- conspired to make tea expensive. To protect sales, brewers urged the government to impose duties on the import. Ultimately, the tax rate on tea soared to 119 percent. Twining calculates that Britons wound up paying the modern equivalent of $ 800 a pound for tea.
"Tea was like gold dust," he says.
Which explains why the oldest pots on display look like they belong in a dollhouse. Regardless of size, the quality of the teapot came to reflect wealth and status.
The secret of making fine porcelain eluded British potters for more than a century. They did their best to achieve elegance in earthenware, creating inventive finials and adding precious materials such as agate. Salt glazes allowed for highly decorative textures and bold color.
A rare group of "flying pots" made between 1750 and 1760 mark the evolution to soft-paste porcelain. The pots are almost as white as Chinese porcelain, with decorations clearly copied from Chinese versions. But the English glaze could not stand up to boiling water, and the pots were known to explode, hence the reputation for "flying." Twining traces the practice of first pouring cold milk into a cup to this era.
The secrets of fine hard-paste porcelain were acquired by the end of the 18th century, and decoration evolved with increasing sophistication. Gold, silver, cobalt blue and bold green were used to striking effect. Classicism gave way to ornate swirls, delicate feet, fretwork around the pot rim and handles shaped like curlicues.
A stroll through the exhibition makes clear that teapots grew in size as soon as the tax was dropped. Thank the American Revolution, but also a Twining ancestor, for launching tea parties.
As chairman of the London Tea Dealers, Richard Twining took the case for eliminating duties to Prime Minister William Pitt. His argument was persuasive, and in 1784 the punishing tax on tea was reduced. After a hundred years as a luxury beverage, tea became an affordable commodity and Britain became a nation of tea drinkers.
"Otherwise, we'd all be drinking coffee and beer for breakfast," Twining says.
As for afternoon tea, Twining credits the seventh Duchess of Bedford (1783-1857), who took up snacking be-tween lunch and dinner. She likely introduced the practice to Queen Victoria, who was charmed.
"Once that happened, the world followed," says Twining.
Craftsmen found new opportunity in the social occasion, expanding tea paraphernalia to jugs, spoons, tongs, strainers, napkins, silver and linen. Victorian households acquired new sets as fashions changed, and many hostesses selected wallpaper and curtains to go with their tea sets.
On Tuesday, Twining's attention was drawn back to 2003 at the end of his tour. The bane of modern existence, a paper cup, had been left on a cart by a worker. He eyed it briefly, and with the politest of dismissals, declared, "Tea doesn't taste the same out of one of those."
Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

Story on Chinese yixing teapot --A Spot Of Teapots Part I

The exhibition of teapots now at the U.S. Botanic Garden can be appreciated on many levels.
The pots themselves, 101 fragile antiques from Britain, make a dazzling display of ceramic prowess. Elaborate models dating from the 18th century offer a short course in the evolution of styles, from neoclassicism to the romanti-cism of the Victorian age. Exquisite decorative motifs -- fruits, flowers, scrolling vines -- should inspire all who appre-ciate the fine art of botanicals.
As for politics, mention "teapot" in Washington, and the rejoinder may be "dome," for the Harding administration scandal over the leasing of oil reserves under a teapot-shaped rock in Wyoming. These pots have proved hardier than the rock, whose "spout" disintegrated in a 1962 windstorm. And there is that revolutionary linkage between tea and taxes.
The only dome Sam Twining, ninth-generation director of the tea producer R. Twining and Co. Ltd., saw this week was the one atop the Capitol, which overlooks the Botanic Garden's marvelous new glass house. He came to Washington to open the exhibition "Traditions in Elegance," which runs through March 30 in the east conservatory. He was scheduled to host two afternoon teas today. At home on the Isle of Wight, he admits to drinking nine to 15 cups a day.
Tuesday morning, with the glass doors still closed to the public, Twining led a private tour through the intricacies of exclusivity, artistry and lower taxes.
Teapots large and very small were arrayed on pedestals in cases borrowed from the Smithsonian American Art Museum. The largest, a display model the size of a beach ball, was made for the 1851 Crystal Palace Exposition in London and belongs to the company. The rest come from the Norwich Castle Museum in Britain.
Twining personally brought pots and museum together in the late 1980s after a woman in financial distress called to offer her husband's many teapots for sale. Twining went to visit and found old and rare teapots on "every flat sur-face" of the house. An astounding 2,400 were deemed worth saving and were acquired by the museum, which had a collection of 600. The tea company agreed to fund a permanent gallery and curator and provide for the traveling show, which started its rounds in Australia in 1993.
"There is nothing else quite like this in the world," Twining says.
The Chinese discovered tea about 5,000 years ago. Legend says leaves fell from a tree into an open pan of boiling water. The Twining company's Web site (www.twinings.com) suggests the teapot evolved during the Ming Dynasty (1368-1644), when lidded wine ewers were adapted for the new brew. (Twining believes a round Chinese-style pot is theoretically the optimum form, but good glaze and a clean interior are more important.)
Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

Mittwoch, 13. Mai 2009

Stories on Chinese yixing teapot Part II--Drinking Chinese tea

Drinking Chinese tea is an elaborate affair, which involves everything from choosing the right pot to pouring the tea out the right way, an expert from China tells GUAN LIBING.
DRINKING tea is not just a matter of gulping it down.
Mr Zhu Changde, a tea expert from Jiangsu province, China, has a whole set of rules governing the brewing and serving of Chinese tea -and even the choice of teapots.
The 45-year-old is now in Singapore to demonstrate his skills at the Takashimaya SC Shopping Centre in Ngee Ann City. His twice-daily Chinese tea-brewing demonstrations end today.
While here, Mr Zhu aims to give people a better understanding of the famous Zisha teapots, which are handcrafted and produced in Jiangsu.
So before you go into the kitchen to make a cuppa, here are some tips:
- In the brewing of Chinese tea, the most important factor is the choice of teapot and tea leaves. Next comes the use of tea cups, says Mr Zhu.
The self-trained expert in the art of brewing Chinese tea says the Chinese from northern China prefer to use big teapots and cups, while the southerners go for small pots and cups.
- Explains Mr Zhu in fluent Mandarin: "There is a golden rule in brewing Chinese tea -- never mix the teapots when using different tea leaves. This means that there is no such a thing as a common teapot, because it will mar the flavour of the tea.
- "When you brew tea like Wulong or Baolei, you should use boiling water about 100 deg C and this should be poured into the pot from a higher level, so as to flush out any particles from the tea leaves."
- Another golden rule is that the first round of tea made is never consumed.
Says Mr Zhu: "This is used to pour over the teapot and cups for a better shine.
"The second round of tea should stay in the pot for at least 30 seconds before serving. This is to give the tea leaves some time to release their flavour. For each subsequent round, the timing should be increased."
However, he warns that for a better cuppa, the tea leaves should not be used for more than five brews. Otherwise, they will loose their flavour.
It is also important to remember that in each round, all the tea down to the last drop must be poured out before brewing a new pot.
Mr Zhu has another set of rules for serving tea:
- The tea should be poured from a lower angle into each cup, to avoid spilling, "particularly for the more expensive tea", he says.
- Each brew should be divided equally among the number of cups. He says that such skills have to be acquired through much practice.
He adds: "Certain parts of China have their own customs when serving tea. In the Swatow area, for example, the tea has to be divided equally, down to the last drop. But in Taiwan, there is an extra cup, which serves as the reserve.
"The tea novice should remember that all the cups and teapots should be rinsed in hot water and preferably be kept warm before being used. This helps to give the tea a fuller body," says Mr Zhu.
Zhu Changde's tea-brewing demonstration is on at Basement 2 of Takashimaya SC Shopping Centre today at 12.30 2 pm and 6 8 pm.
POT SHOTS
MR ZHU CHANGDE, married with an 11-year-old daughter, runs a business dealing in Zisha teapots.
Born in Jiangsu province, he was first exposed to the art of brewing Chinese tea as a child, through sessions with a granduncle.
To date, he has given numerous tea-brewing demonstrations in Hongkong.
But he laments that the people living in Yixing, his hometown, do not pay much attention to brewing tea.
"Despite living in Yixing, which is the main producer of Zisha teapots, many of the people make tea from plastic teapots. That is the irony!"
Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

Stories on Chinese yixing teapot Part I--TEAPOT ORIGINS

Teapot may have Japanese or Chinese origins Inquiring Collector all about antiques Q UESTION: I am enclosing a sketch of a very small teapot which I have had for years. My aunt was governess to the Emperor of Japan's children. When she returned to Australia they gave her a box of treasures. The teapot was among them and was duly passed on to me. I would like to find out something about it before passing it on to my daughter. I would be grateful for any information you could give. I always read and enjoy this section of The Courier-Mail very much. _ J. VanS, PALM BEACH. ANSWER: Your miniature teapot (called kyushu in Japanese) is very intriguing. It could be either Japanese or Chinese but unfortunately your sketches of the pot and maker's mark are not enough for us to be definite either way. If Chinese, it is possibly a rather good example of Y-Shing ware, from the famous art centre of Y-Shing Hsien, west of Shanghai. These unglazed teapots have been highly prized by Chinese and Japanese scholars and connoisseurs since the 16th century at least. Some y-shing potters were so highly regarded that they were granted the privilege of signing their work as individual artists. Often the additional decorations, such as enamel glaze flowers, were the work of leading intellectuals. The size and design of your teapot indicates that it comes from the later half of the Ching dynasty in the 19th century. It could easily have found its way into the Japanese imperial household because these teapots were exported to Japan. However, it could be Japanese. The kilns at Banko, near Nagoya, developed unglazed wares similar to Y-Shing style and produced large quantities of teapots from the mid-19th century. The presence of enamel glaze decoration on your teapot could be consistent with a better-than-usual piece to be presented to the royal family. Without handling the pot we cannot be more specific. The color of the clay body may give a clue to its origins. If it is reddish-brown or reddish-purple, it is more likely Y-Shing. If reddish or bronze brown, it may be Banko. QUESTION: I have some pieces of a Wedgwood dinner set belonging to my husband's grandmother. I would like to know how old they are. The pattern is Water-Lilly (royal blue background with large white lillies). Each article has Wedgwood-Struria England stamped on the back but Wedgwood is also etched into the china with other different letters e.g. PRH or GPS. Each plate is marked differently. The lids on the vegetable dishes do not fit very well and I wonder if this was because it was made by different potters? _ N.S. STAFFORD. ANSWER: Thank you for your query regarding Wedgwood. It is always popular and usually of good quality. As yours is a part set of Wedgwood, perhaps the lids belong to other pieces. Usually around 1890-1905 Wedgwood made lids to fit fairly well. The marks indicate the age as being between 1890 and 1905. THE Queensland Antique Dealers Association, which compiles this column, will answer your queries on antiques. Send them to The Inquiring Collector, Living/Leisure, The Courier-Mail, GPO Box 130, Brisbane. If possible please send dimensions and a photograph of the piece.
Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

Stories on Chinese yixing teapot Part I--TEAPOT ORIGINS

Teapot may have Japanese or Chinese origins Inquiring Collector all about antiques Q UESTION: I am enclosing a sketch of a very small teapot which I have had for years. My aunt was governess to the Emperor of Japan's children. When she returned to Australia they gave her a box of treasures. The teapot was among them and was duly passed on to me. I would like to find out something about it before passing it on to my daughter. I would be grateful for any information you could give. I always read and enjoy this section of The Courier-Mail very much. _ J. VanS, PALM BEACH. ANSWER: Your miniature teapot (called kyushu in Japanese) is very intriguing. It could be either Japanese or Chinese but unfortunately your sketches of the pot and maker's mark are not enough for us to be definite either way. If Chinese, it is possibly a rather good example of Y-Shing ware, from the famous art centre of Y-Shing Hsien, west of Shanghai. These unglazed teapots have been highly prized by Chinese and Japanese scholars and connoisseurs since the 16th century at least. Some y-shing potters were so highly regarded that they were granted the privilege of signing their work as individual artists. Often the additional decorations, such as enamel glaze flowers, were the work of leading intellectuals. The size and design of your teapot indicates that it comes from the later half of the Ching dynasty in the 19th century. It could easily have found its way into the Japanese imperial household because these teapots were exported to Japan. However, it could be Japanese. The kilns at Banko, near Nagoya, developed unglazed wares similar to Y-Shing style and produced large quantities of teapots from the mid-19th century. The presence of enamel glaze decoration on your teapot could be consistent with a better-than-usual piece to be presented to the royal family. Without handling the pot we cannot be more specific. The color of the clay body may give a clue to its origins. If it is reddish-brown or reddish-purple, it is more likely Y-Shing. If reddish or bronze brown, it may be Banko. QUESTION: I have some pieces of a Wedgwood dinner set belonging to my husband's grandmother. I would like to know how old they are. The pattern is Water-Lilly (royal blue background with large white lillies). Each article has Wedgwood-Struria England stamped on the back but Wedgwood is also etched into the china with other different letters e.g. PRH or GPS. Each plate is marked differently. The lids on the vegetable dishes do not fit very well and I wonder if this was because it was made by different potters? _ N.S. STAFFORD. ANSWER: Thank you for your query regarding Wedgwood. It is always popular and usually of good quality. As yours is a part set of Wedgwood, perhaps the lids belong to other pieces. Usually around 1890-1905 Wedgwood made lids to fit fairly well. The marks indicate the age as being between 1890 and 1905. THE Queensland Antique Dealers Association, which compiles this column, will answer your queries on antiques. Send them to The Inquiring Collector, Living/Leisure, The Courier-Mail, GPO Box 130, Brisbane. If possible please send dimensions and a photograph of the piece.
Yixing teapot,also called zisha teapot, is known as the best in all of the Chinese teapots or China teapots.

Dienstag, 5. Mai 2009

Consumers Now Have Access to Over 500 Asian Products for Unique Gift Giving yixing teapot

Channel A, the Web's premier site for contemporary Asian lifestyle, today announced the most unique and unprecedented Asian shop for holiday gifts and entertaining. To meet the demand for distinctive and authentic Asian gifts this season, Channel A (http://www.channelA.com) offers exclusive items from Asian vendors, and over 500 products are available on its online shelves.
Channel A has created the first and only resource that provides US consumers access to Eastern-influenced products and ideas that fit effortlessly in today's western lifestyle. Channel A leveraged its close relationships with vendors to bring consumers previously unavailable or hard-to-find Asian merchandise to US consumers.
"This is a totally new concept in the way we shop for the holidays. Channel A is combining the most appealing Asian merchandise and the most educational information to create a fun site that will provide holiday gifts and entertaining ideas to consumers," says Peggy Liu, president and CEO of Channel A.
Holiday gift-giving, food and entertaining ideas include:

* Thai, Indian, Korean and Chinese cooking kits and cookbooks from Taste
of Thai and Spice Merchant.
* Festive Cheer Tea Set featuring a distinctive Yixing teapot (yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots)and
fragrant Mango, Lychee and Rose Congou teas, from Water and Leaves.
* Kama Sutra seduction products for romantic weekends and holiday
get-aways.
* Crane Motif Alloy Vase symbolizing long life and marital fidelity,
from Nikaku Japanese Imports.
* Alan Chan Tea Tins featuring Jasmine, Mint, Iron Buddha or Oolong tea
in exquisite tins with dynastic, erotic and pop Asian art. (Channel A
Exclusive.)
* Yan Can Cook Cutlery Set from world famous chef Martin Yan. (Channel A
Exclusive.)
* Sushi at Home Kit to make sushi like the famous chefs.
* "Kanji Pict-O-Graphix" Book, teaches Japanese characters or "kanji"
using visual and text mnemonics for easy memorization.
* Japanese Garden Lantern made of cast-iron with a grated door swings
open for the placement of a candle.
* "Project S: Once a Cop" VHS tape -- Future Bond-girl and former Miss
Malaysia Michelle Yeo performs her own stunts in this action-packed Hong Kong
film.

Channel A is designed for both the convenience of hurried gift givers
and the enjoyment of window shoppers. Channel A offers a 30-day
satisfaction guarantee and gift wrapping. Ordering is available online
at www.channelA.com or by calling 888-www-CHNL-A.
Channel A is the first US-based distribution channel for Asian products
to western consumers on the Internet. It is also available through
Netscape's In-Box-Direct, CNET Snap! Online, and AOL (keyword: ChannelA).
Channel A's commerce-driven Web site draws a targeted audience of Asia
watchers with its entertaining programming. For Asian product vendors,
Channel A also provides a full range of sales and marketing services to reach
western markets.

gold cards in memory of zhou enlai's birth

a total of 10,000 sets of gold cards in commemoration of the 100th anniversary of the birth of the late chinese premier zhou enlai are put on sale in five chinese cities beginning thursday. each set consists of four rectangular gold cards with a combined weight of 2.8 grams and has a market price of 468 yuan. each card is eight cm long and five cm wide. the four gold cards, each inlaid with one of zhou's photos taken during four different historical periods, feature zhou enlai as a national hero, first premier of new china, a public servant of the people and a great man of the world. such gold cards are sold only in nanjing, shanghai, beijing, tianjin and chongqing. the gold cards are minted by the gold cards and special handicrafts company of jiangsu province. also on sale are commemorative bamboo-like teapots designed by young prominent artists from yixing, dubbed as "hometown of pottery" in jiangsu province (yixing teapots,also called zisha teapot, is known as the best in Chinese teapots or China teapots). zhou enlai was born in march 5, 1898 and died on january 8, 1976.

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